Ginger Nuts of Horror
Ginger Nuts of Horror and The Mega Liverpool Horror Con have joined forces to give you the chance to win one of three pairs of tickets to the event on the 7th and 8th of October.
Fans of the fear-provoking prepare yourselves, Horror Con is coming to Liverpool and it’s looking FRIGHTfully good!. Meet a range of authors, film & TV guests, and shop with a huge array of traders selling everything from prints to films and masks to movie props. View the exhibits and get your photos taken within our special features to enhance your day. Collect your autographs and photographs then relax and unwind, watching film screenings or listen to the panels and talks with guests discussing their previous and current work. This two day event promises no-stop fun this Halloween on October 7th & 8th.
Full details of the event and the stellar lineup of guests appearing at the Con can be found here
For a chance to win one of the three pairs of Tickets all you have to do is head to their Facebook Page and give it a like, share this post
Tagging The Ginger Nuts of Horror in the share so we can keep track of who is sharing it. The three winners will be picked at random and announced Thursday 14th of September.
Anthologies are not a new idea. If anything, they are becoming two a penny. Every week someone is releasing another anthology filled with authors who are hungry for their name to be seen in a book that they, wrongly, believe will be seen by more people than if they released their story on their own. If you hadn’t guessed, I am not a fan of anthologies in general. Too many publishers out there prey on desperate, mostly-new authors - give us your work for free and new readers will come flocking to you. It doesn’t work like that though, especially in this day and age.
There are few action stars as iconic or that have enjoyed as much longevity as Keanu Reeves. Although he established himself as a star in the stoner comedy, Bill & Ted’s Excellent Adventure, he quickly rose up in a series of brilliant action films such as Point Break, Speed and of course, The Matrix. About two decades after these legendary roles, Reeves is still at the forefront of the genre, partly thanks to the success of the John Wick series, which reminded many people why they loved him in the first place. To celebrate the home release of John Wick: Chapter 2, we thought we’d round up his greatest action roles from over the years.
I recently tried to explain to my girlfriend why I felt that a certain album was “important” to me. I gave it an off-the-cuff shot, floundered, lost my way, and then gave up without satisfaction.
It got me thinking: why exactly did I think of the album Panopticon by the band Isis as an “important” feature of my life? Why not just say, “It’s awesome”, or “It’s ace”, or any one of the other overused complimentary adjectives that I apply to the things that I enjoy? The conclusion I came to was what gave me the idea for writing this article: because, for every one of those 59 minutes of the record’s playing time, Panopticon takes me away from the horror.
This isn’t going to be a journalistic article, where I describe the band’s intentions, the album’s concept or where it hit in the Billboard charts; it’s simply going to be my own personal reflection of what will no doubt be my lifelong love for 7 pieces of devastatingly affecting music.
Curtis M. Lawson's debut collection is a menagerie of supernatural horror and weird fiction that drops imperfect characters into an uncaring universe, inhabited by malevolent deities. In these pages you will find devouring gods of the yawning abyss, Japanese demons who sway mortal souls, and digital hells of man’s own creation.
Follow into the darkness and walk among the gods of the Black Pantheons. There is magic where they live, in the emptiness between the stars.
I read a lot of weird fiction and weird horror. Since I was drawn into reviewing the stuff for Teleread.com and elsewhere, I’ve been reading it not only constantly, but semi-professionally. A while back, I was lucky enough to land a detailed interview about my own new book, and horror in general, from John Linwood Grant on his greydogtales blog, where I came out with some statements, largely inspired by all that reading, which I’d like to qualify and clarify. I also digested some extended comments on the interview on the Facebook group for Thinking Horror, which nudged me towards saying more...
Today's book excerpt is from R.H. Dixon's latest novel Emergence R. H. Dixon is a horror enthusiast who, when not escaping into the fantastical realms of fiction, lives in the northeast of England with her husband and two whippets.
When reading and writing she enjoys exploring the darknesses and weaknesses within the human psyche, and she loves good strong characters that are flawed and put through their paces. Her favourite authors include: Shirley Jackson, John Ajvide Lindqvist, Joe Hill, Susan Hill, Ramsey Campbell, Stephen King and George R. R. Martin.
When not reading and writing she enjoys travelling (particularly wildlife-spotting jaunts involving bears, wolves and corvids), painting and drawing pet portraits, collecting skulls and drinking honey-flavoured Jack Daniels.
R. H. Dixon primarily writes horror fiction, but also has a set of three light-hearted paranormal fiction novels published. The Sunray Bay Trilogy is a foray into the whacky world of vampires, werewolves and zombies, each episode coloured by her cheeky sense of humour. (See under ‘Paranormal Books’ tab)
Her debut novel, Amazon UK Best-selling Horror Comedy ‘Slippery Souls’ (Sunray Bay Trilogy, Book #1), was short-listed for the Writing Magazine’s Self-publishing Award 2012.
If you enjoy dark, psychological horror – inclusive of disturbing nightmares and ghosts – don’t miss this haunting story of a father’s downward spiral into despair and questionable madness. 'When his six-year-old daughter Seren starts talking of a ghostly woman who visits her room each night, young widower John Gimmerick isn’t too concerned. After all she already has an imaginary friend. But when his own nightmares begin to merge with reality and when unexplainable things start to happen around the house, he realises that by revisiting the home of his childhood he’s stirred up things he’d tried hard to forget – as well as something that should never have been stirred in the first place. In order to save his little girl from an evil that speaks only of death, reclusive John must now face up to the horrors of his past. And what he discovers runs deeper and is far more terrifying than he could ever have imagined…'
To win one of two copies of this horror anthology film all you have to do is leave a comment in the comments section telling us which horror icon you would love to give a kiss to.
This Competition is open to Residents of the UK ONLY
XX is a new all-female helmed horror anthology featuring four dark tales written and directed by four fiercely talented women:
XX is a new horror anthology featuring four murderous tales of supernatural frights, thrills, profound anxiety, and Gothic decay. Written and directed by four fiercely talented women the film stars female leads and is framed around innovative animator Sofia Carrillo. Vigorously challenging the status quo within the industry, this collection of tightly coiled short films by some of horror’s most influential women offers a refreshing jolt to the senses.
“Wildly entertaining cinema.”
“Rich, interesting, and rife with surprisingly fresh perspectives on the genre.”
“A ghoulish chronicle of the monstrous, the mysterious, and the morbid”
Special features: Director interviews Genre: Horror
Runtime: 78 mins (approx.)
Cat no: SODA369
Good God. Good, sweet Azathoth, Baphomet; whatever demon and/or divinity you hold dear...
To think I'd be sitting here now, about to sing the unambiguous praises of a new Resident Evil title...barely a year ago, I would have proclaimed it an impossibility, the franchise one of the many beloved dead littering the wastelands of video gaming's murdered from within, by their own creators, no less.
Arguably since Resident Evil 4, the series has arguably been in decline; a victim of the constant, corporate desire to cater to the widest possible demographics, thereby alienating established audiences and diluting their own product and reputation. The urge to draw in the “Triple-A,” Call of Duty crowd finally culminated in the chimeric, frictionless abomination that was Resident Evil 6, what many believed (and even more hoped) would be the final nail in this zombie's coffin.
Then, sometime mid last year, the first trailers hit. Not only the first trailers, but a playable demo.
To say that we perked up and cocked our heads like wolves scenting blood is an understatement. Stylistically, what the trailers and demos betrayed were a far, far cry from anything that had gone before. In terms of atmosphere, this was not the hokey, B-movie japery we'd come to expect from the franchise. In their place, a dingy, depressive, foetid atmosphere; a sense of decay and genuine threat more suited to the franchise's contemporary and long-time counterpart, Silent Hill. A first person gaming perspective, imagery more redolent of films like 7 or Jacob's Ladder than Night of the Living Dead.
A genuine spark of excitement, of hope.
Then, the revelation that the game would be one of the first to utilise the new VR technology; a peripheral tailor made for horror. Hope becoming fervent, almost desperate; a new Resident Evil, the benchmark for a new and burgeoning state of video game immersion; perhaps, perhaps the title that would lift mainstream video gaming horror from its doldrums and set it high once more.
Then, at last, release, first exposure.