Curious title, no? Contentious even. But, bear with me, as I give my thoughts on this...
Defining certain films as horror can be a tricky business (indeed, defining horror as a genre itself can often be laden with hardships and arguments), yet there are many films out there that a hell of a lot of people would agree are horror films, despite being marketed as something else. Films such as Alien (SF), Se7en (gritty crime/serial killer), The Silence Of The Lambs (crime/serial killer), Under The Skin (art-house/SF) and many more, promoted as one thing but sharing a common factor in that they scared, horrified or disturbed a good number of people. Now, a lot of this is subjective, down to interpretation and just because a film (or book) does this, doesn't mean it's a horror (Schindler's List horrifies me with some of its content, but I wouldn't call it a horror film). So there must be something else. I think it's a combination of intent, atmosphere and delivery - all of these films intended to scare their audience, their atmosphere's are ones of anticipation, dread and claustrophobia and regardless of their settings or the trappings of the film, would work just as well if the location/character roles were changed (to a certain extent). Alien would work just as well in a large abandoned house, the detection and police procedure in Silence... is largely redundant... Well, that's what I think.
by Alan M. Clark
I wrote this blog post close to Halloween, a good time for something scary. Although I like the cute horror of Halloween and a good, over-the-top zombie film, lately I’ve been chasing after some true-life horror as I research the lives of murder victims for my Jack the Ripper Victims Series of novels. As one who has always been intrigued by the dark and disturbing, as a practitioner in the horror genre, a professional writer for almost two decades, and an illustrator for three, the real horror of history and the lessons to be learned from it are what I have drawn my interest lately.
Long ago, when I first learned of Jack the Ripper and the murders associated with the killer, I was, as most everyone is, intrigued by the endless speculation about who he might have been (I use male pronouns when referring to him merely because of the name Jack; although, we don’t know the gender of the Whitechapel Murderer). The more I read about the murders and the various theories, the less interested I was in the killer and the more intrigued I became with the environment in which the murders took place. As I learned more about Victorian London and how rapidly it changed due to the industrial revolution, the more interesting I found the lives of those who lived there at the time. Although I couldn’t learn much about the killer, I could gain some knowledge of the five female victims. Potentially, there are more than five, but those considered canonical victims are Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly.
Coroner’s inquests were held to determine the cause of death for each of the women. The inquiries are essentially trials, with juries and witnesses to help make a determination about the manner of a victim’s demise. The verdict in each of the five cases was "Wilful murder against some person or persons unknown."
The words, actions, movements, and motivations of each of the women are most clearly known to history closest to the time of their deaths because of the testimony of the witnesses called during the inquests. In some cases, such as that of Elizabeth Stride, the last couple of hours were recounted in detail, and in other cases, such as that of Catherine Eddowes, we have a good idea what she did within several days of her death. The farther we go into the past away from the hour of their deaths, however, the less detailed and the more generalized is the information about them. Within the few years prior to their deaths, all five had suffered real hardship—all had engaged in prostitution to survive, most, if not all, had been active alcoholics, and most had spent time in the dehumanizing workhouse system.
In Victorian England, the Industrial revolution had led to large-scale unemployment, much the way the Tech Revolution has done in America today. Victorian London, much like large American cities today, suffered from overcrowding and large numbers of homeless.
We can see a modern reflection of the victims of Jack the Ripper in the homeless of twenty-first century America. Much of the cause of that homelessness went unseen in Victorian times, as it does now. With the rise in the numbers of the homeless, then as now, people had a tendency to shy away from the problem.
My natural inclination is to avoid knowing why so many people are hungry and without shelter. I want to look away, and I don’t want to look away. My experience is that many people are just as ambivalent. Many of the homeless are intoxicated much of the time or begging for the means to become intoxicated. I can easily become disgusted with the endless need of the addicts among the homeless. I could justify my righteousness by blaming their lack of hygiene, and their crimes of desperation. However, I am a sober alcoholic and expect myself to have compassion for them, even when it doesn’t come naturally. There, but for providence, go I.
Although I avoid those who are clearly intoxicated, on occasion I’ve asked someone begging on the street for their story. Most aren’t good at telling a story, perhaps because they are rarely asked to tell one. Even so, from what they say, I always get the sense that they have had happier times, that they have capabilities, and that they have aspirations involving their own personal interests and those whom they love.
Worse than the surface irritation of having to deal with a person who might be slovenly, dirty, inconvenient, or in-my-face is the emotional stress of considering the plight of an unfortunate person. My immediate response is to want look away. I speak of my experience to take responsibility for my reactions, but I’m not alone. We find it easy to scorn the beggars on the streets and then project that disdain on all homeless people, further isolating them. As a result, the down and out are less likely to find help when in danger. If they are seriously harmed or killed, fewer people step forward to try to find out what happened. Those who prey upon the homeless more easily get away with their crimes. The same was true for the down and out of Victorian London.
What events in the lives of the five Jack the Ripper victims led to their demise on the streets of London? How much of the way they lived was a result of the choices they made? What was beyond their control? Were they chosen at random by their killer, or did he choose them because he knew that fewer people would step forward to find out what happened to them? We don’t have good, solid answers to these questions.
My impression is that their choices had something to do with securing their wellbeing, but much of their existence was beyond their control. The environment of London itself was a danger. Literally hundreds of thousands of Londoners were killed by the pollution in the air, water, and food. New industries popped up everywhere to support the burgeoning population and to exploit the cheap labor market. Small factories occupied converted tenements or houses that once held families in residential neighborhoods. Sometimes, only a part of such a tenement or house was occupied by industry while the rest still functioned as a residence for individuals or families. With an increase in the use of chemistry, and with little knowledge of the damage many chemicals inflicted upon the bodies of those exposed to them, industries, such as match making, destroyed the lives of their workers and those living within close proximity to production. Those who suffered often did so without knowing why until it was too late. Matchmaking is only one example of the industrial poisoning of Londoners. Deadly chemicals were everywhere. They were used in medicines and in prepared foods as preservatives. Madness abounded, if not as a result of the emotional hardships of life, then from chemical damage to the brain.
A life of poverty in London was slowly killing all of the Ripper’s victims. Survival within that environment is the story that intrigues me. Those are lives I can relate to because I see parallels with life in my own time.
Regardless of whether the Ripper’s victims had few opportunities to live better lives or were responsible in large part for their predicaments, their legacy is pitiful and poignant. Not the cute horror of Halloween perhaps or the over-the-top-turned-almost-cartoon horror of slasher and zombie films, the stories of the five women are full of emotional content, conflict, and drama. What happened to the victims of Jack the Ripper is true horror, and in the telling of those tales we are reminded that the more things change, the more they stay the same.
When I was growing up, my mother had a strange way of watching scary movies on television with the family; she’d stand in the hallway beside the living-room, peeking around the corner at the TV, ready to run away if the film became too scary. Is that the way we as a society treat true horror? We all love a fun scare, but when the suffering becomes too real, we want to run away because it is painful to witness. I suppose I’m saying that if fewer of us looked away, if we had the courage to see, there might be less actual horror in the world. So here’s to remaining in the living-room of life with our eyes wide open.
My Jack the Ripper Victim Series began with the novel, Of Thimble and Threat: The Life of a Ripper Victim, about the life of Catherine Eddowes, released in 2011. The second in the series, Say Anything But Your Prayers, about the life of Elizabeth Stride came out August of 2014. The third in the series, A Brutal Chill In August, about the life of Mary Ann "Polly" Nichols, will be released next year.
—Alan M. Clark Eugene, Oregon
Come join us at Ginger Nuts of Horror, he said. It will be fun, he said. I would love to, I said. This is a dream for me, I said. Just give me some reviews, he said. Delighted, I said. Just write me a bio and an “article” to introduce yourself, he said.
Never written an “article”, I thought. Too late to run away, (?) I thought. Just waffle, I thought. Everyone will buy it. I hope you do……
The wrought iron door slams behind you in your new home, where you will stay until your death. The guard made no attempt to provide optimism or hope; indeed he actively discouraged it, assuring you that your punishment in this dismal prison would probably break you down psychologically and mentally. The grey walls are washed in despair, perfect for bouncing the echo of the howls of other prisoners around this building from Hell….